When Typography moves from 2D to 3D, we get the Furnitype - Yanko Design

What can I say about the Furnitype – it'southward an expression of a designer and their dearest for typography and how information technology translates into design. The muse – typography is given a form and you can savor the playfulness of the curves and lines, when you align in a fashion to class symbols and a three-dimensional language of objects.

Designer: Marta Adamkowska

" This project came about equally a result of considerations on the relations betwixt typography and the design of functional forms, particularly framework article of furniture. The project began with an analysis of both domains, viewing the one through the other, mapping their interconnections and contrasting their respective design processes. In plough, these explorations gave rising to a series of objects – chair sketches in empty space – regarded as a certain alphabet of blueprint. An important attribute of the projection is how it confronts the user. At that moment, a sign ceases to be an abstract symbol and becomes converted into an object, information technology adopts the properties of functional class and enters into a relationship with people," Adamkowska told Yanko Pattern.

" TheFurnitype was also undertaken as ways of advancing a perspective on the nature of design, on where its frontiers aggrandize and overlap, as well as on how form is defined. The aim of the project was thus to transcribe the two-dimensional linguistic communication of typography into the three-dimensional linguistic communication of objects. Both letters and pieces of piece of furniture are a collection of horizontal and vertical lines, and curves. In theFurnitype, the ways in which said lines are joined to form the formalised signs of written language have been conveyed in the spatial layout of framework piece of furniture."